Georgia Elrod’s recent body of work began with a desire to interpret bodily function and experience, to question and understand our ungraspable insides. Positing physical identity as a kind of living abstraction, the imagery can be both known and unidentifiable. The body is a temporary architecture and is composed of ideas. Through painting, expectations of functionality and fragility literally become marks, colors, drawing. Internal and external landscapes become abstracted through the process of thought and visualization.
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